Tag Archives: Robin Lung

October 3, 2011 — Crafting Story with Editor Shirley Thompson

Robin Lung & Shirley Thompson view FINDING KUKAN footage

Robin Lung & Shirley Thomp­son view FINDING KUKAN footage

When I first met Shirley Thomp­son back in June, I was already a fan of her work and instinc­tive­ly knew that she would be a great long-for­mat edi­tor for my project. So I was thrilled when, at our next meet­ing, she voiced enthu­si­asm for FINDING KUKAN and agreed to edit the project once it got to the post pro­duc­tion stage (assum­ing that sched­ules, financ­ing, and all the oth­er vari­ables of doc­u­men­tary pro­duc­tion work out). 

Shirley Thompson edits FINDING KUKAN footage

Shirley Thomp­son edits FINDING KUKAN footage

When I need­ed an addi­tion­al few min­utes of footage cut for a grant appli­ca­tion, I was very thank­ful that Shirley was avail­able for a few days to help me out.  I’m hap­py to say that my instincts were cor­rect.  Not only was Shirley a joy to work with — pro­vid­ing a beau­ti­ful, airy work­space; 2 cats to pet; and incred­i­ble choco­late snacks — she helped  me sort through the small mass of footage I’ve col­lect­ed so far and turn it into man­age­able chunks of sto­ry that added up to some­thing real­ly exciting. 

Shirley Thompson's post-it storyboard for an excerpt from FINDING KUKAN

Shirley cre­ates beau­ti­ful post-it sto­ry­boards to help struc­ture the edit session.

The result was that I was much clear­er in my head about the kind of sto­ry I want­ed to tell with FINDING KUKAN. And I was more con­fi­dent about what I need­ed to film next to fol­low that story.

Shirley real­ly is a sto­ry doc­tor. And I’m more moti­vat­ed than ever to com­plete pro­duc­tion and get back to the edit­ing room with her. It’s an exhil­i­rat­ing experience.

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July 23, 2011 — A Visit to the New York City Office of the National Archives

When I first start­ed check­ing to see if Li Ling-Ai could have been the real life inspi­ra­tion for the fic­tion­al detec­tive Lily Wu, I tracked down some of her trav­els through boat records that are avail­able on Ancestry.com.  One of the Ances­try records was a New York Exclu­sion file that list­ed the date of her arrival in San Fran­cis­co.  Going over the notes on the record again, I saw that Li Ling-Ai’s file includ­ed an inter­ro­ga­tion.  Since the inter­ro­ga­tion occurred only a year before Li Ling-Ai met Rey Scott and con­ceived of mak­ing the movie KUKAN, I was anx­ious to read through the inter­ro­ga­tion to see if it con­tained any clues.  In July I final­ly got a chance to vis­it the NYC office of the Nation­al Archives where Li Ling-Ai’s Exclu­sion file is located.

photo of Robin Lung at the NYC office of the National Archives

Robin Lung exam­ines Li Ling-Ai’s Chi­nese Exclu­sion File at the NYC office of the Nation­al Archives

It was amaz­ing­ly well-pre­served, and I had a lot of mixed emo­tions while exam­in­ing it.  On the one hand, I was excit­ed to see a pho­to­graph of Li Ling-Ai in the file that I had nev­er seen before and let­ters that were hand-writ­ten by her.  Han­dling the doc­u­ments gave me a very vis­cer­al con­nec­tion to the past and to this woman that I have been pur­su­ing for the last cou­ple of years.

photo of Li Ling-Ai's Chinese Exclusion File

Li Ling-Ai’s Chi­nese Exclu­sion File

On the oth­er hand I was appalled that this file exist­ed in the first place.  I had to think about the bla­tant anti-Chi­nese dis­crim­i­na­tion that led to The Chi­nese Exclu­sion Law — the rea­son for the cre­ation of the file I was touch­ing.  I was astound­ed that a U.S. cit­i­zen like Li Ling-Ai (she was born in Hawai‘i in 1908 when it was already a U.S. Ter­ri­to­ry) who had a U.S. Pass­port (doc­u­ment­ed in the file) would have to spend days at the NYC Immi­gra­tion Office in order to get a re-entry form that would make it pos­si­ble for her to come back to her own coun­try after leav­ing it!  And that she would have to sit through an inter­ro­ga­tion to prove that she was authen­tic despite all the oth­er doc­u­men­ta­tion she had made me even more indignant.

 

As a researcher, I was thank­ful to be able to access the reveal­ing infor­ma­tion in the file and draw both the pos­i­tive and neg­a­tive ener­gy from it.  So I have to acknowl­edge the hard work that goes into index­ing, stor­ing and retriev­ing these records.  That day at the Archives I wit­nessed two vol­un­teers who were labo­ri­ous­ly going through files and enter­ing data into lap­tops so that oth­ers like me could find infor­ma­tion about ances­tors and char­ac­ters from the past.  I wish I had got­ten their names and tak­en pho­tos of them if only to pay a small homage to all the oth­ers like them who have helped for­ward my investigation.

photo of documents in Li Ling-Ai's Chinese Exclusion File

Doc­u­ments in Li Ling-Ai’s Chi­nese Exclu­sion File

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July 11–16 Road Trip to Kennesaw & Tallahassee

Director Robin Lung behind the camera

Direc­tor Robin Lung films in Georgia

I was a more than a lit­tle ner­vous as I pre­pared for a trip to Geor­gia and Flori­da to meet descen­dants of KUKAN cam­era­man Rey Scott for the first time.  I was plan­ning to spend a week with Rey Scot­t’s grand­daugh­ter artist Michelle Scott and take a long road trip with her from her home in Ken­ne­saw, Geor­gia to her uncle’s house in Tal­la­has­see.  Michelle was on a mis­sion to find more of her grand­fa­ther’s pho­tographs and learn as much as she could about what he was like as a per­son.  I want­ed to tag along to doc­u­ment her search and poke around myself for addi­tion­al infor­ma­tion about Li Ling-Ai.
Michelle Scott in her studio.

Michelle Scott with a few paint­ings from her KUKAN series

As I packed my suit­case I wor­ried that since Michelle and I did­n’t real­ly know each oth­er the trip could be a total fias­co.  For­tu­nate­ly Michelle and the rest of the Scott fam­i­ly were so open­heart­ed and sup­port­ive that I felt instant­ly com­fort­able after meet­ing them and the trip was more suc­cess­ful than I could have imag­ined.   Wit­ness­ing Michelle’s pas­sion for her art and her com­mit­ment to pre­serv­ing her grand­fa­ther’s lega­cy infused me with new ener­gy to face all of the tedious things that go along with doc­u­men­tary film­mak­ing (like log­ging and tran­scrib­ing footage and writ­ing grant proposals).

Ray Scott

Ray Scott relax­es before interview.

I real­ize that gain­ing access to peo­ple and places out­side of my every­day com­fort zone is one of the immea­sur­able rewards of this process.  I’m look­ing for­ward to what the next road trip will bring me.

Mark Scott and Michelle Scott examine Rey Scott's cameras

Mark Scott and Michelle Scott exam­ine Rey Scot­t’s cam­eras as cam­era­man Kevin Deyo films the scene.

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July 10, 2011 Preparing for an Independent Shoot & Finding a Great Camera Store in NYC

A cou­ple of months ago I pur­chased a Pana­son­ic GH2 to take on my trip to NYC and Atlanta so that I could shoot some inter­views and footage of artist Michelle Scott — the tal­ent­ed grand­daugh­ter of KUKAN cam­era­man Rey Scott. As with most new cam­eras, it’s a learn as you go and make mis­takes process.  The sec­ond day in NYC, I had my bat­tery go out in a test inter­view and got a cor­rupt­ed mts file on the SD card (techie lan­guage for a screwup that you do not want to hap­pen dur­ing the real thing). I decid­ed I need­ed an AC adap­tor for the cam­era — that should be easy enough in the big apple shop­ping capi­tol, right?

Sur­prise, sur­prise, the two biggest cam­era stores in Man­hat­tan were out of stock. For­tu­nate­ly, I dis­cov­ered Alex & Tony at H & B Dig­i­tal on 46th Street. Not only did they have the part, but they were the sweet­est sales­men that I’ve run across in a long time. They patient­ly looked up how the adap­tor worked, let me test it, and then spent almost an hour advis­ing me about fil­ters and giv­ing me a pep talk about doing a shoot on my own — some­thing I have to face when the bud­get won’t tol­er­ate hir­ing a larg­er crew.

Tony & Alex at H & B Digital

So if you find your­self in NYC with cam­era needs, check Alex and Tony out on 46th St. They are a small shop, but well-stocked and have great prices too. Most of all they have a pas­sion for pho­tog­ra­phy & film­ing and seem to love what they do.

H & B Digital storefront

H & B Dig­i­tal storefront

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June 5, 2011 — First Online Funders

What a won­der­ful sur­prise to open my email and find a notice from Pay­pal that the esteemed New York City artists Richard Cramer and Car­ol Markel had made an online dona­tion to FINDING KUKAN.  They are tru­ly an inspi­ra­tional cou­ple and obvi­ous trend-set­ters.  I hope their ground-break­ing gen­eros­i­ty will encour­age oth­ers to take the step.

Richard Cramer & Carol Markel from the Advanced Style Blog

Richard Cramer & Car­ol Markel from Ari Seth Cohen’s “Advanced Style” blog

For a fun peek at this great cou­ple, see Ari Seth Cohen’s blog “Advanced Style”.

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May 21, 2011 — Official FINDING KUKAN Website Goes Live

If you build it.…they will come.”

I’m adapt­ing the lines from the great base­ball book/movie Shoe­less Joe/Field of Dreams and hop­ing they’ll apply to this web­site and even­tu­al­ly to the fin­ished doc­u­men­tary FINDING KUKAN. Since this project has been fueled by online research and dis­cov­er­ies made pos­si­ble by oth­er web­sites, it’s only appro­pri­ate that I put out one of my own.  Now it’s up to the cyber­space gods to work their magic…

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May 16, 2011 — Bryan Pearson Records Narration for Fundraising Trailer

British stage actor Bryan Pear­son stepped in to record a few lines of nar­ra­tion for the Find­ing KUKAN fundrais­ing trail­er cur­rent­ly in its final edit.

 

Finding KUKAN narrator Bryan Pearson

Bryan Pear­son and Robin Lung go over lines of nar­ra­tion for the FINDING KUKAN fundrais­ing trailer.

 

Bri­an refers to him­self as the “orig­i­nal Ter­mi­na­tor” since he played Thor in the 1959 cult clas­sic Teenagers from Out­er Space under his stage name Bryan Grant.

 

Bryan Pearson aka Bryan Grant as Thor

Bryan Pear­son aka Bryan Grant as Thor in TEENAGERS FROM OUTER SPACE

 

I found Bri­an through a fas­ci­nat­ing loop of con­nec­tions that start­ed off when I inter­viewed war-time Chungk­ing jour­nal­ist Wing Yung Emery and sis­ter of Choy Wai Chuen, the first Chi­nese man to play at Wim­ble­don in 1948. The loop of con­nec­tion was made pos­si­ble by the dili­gence of Chris Essex, web­mas­ter for Fram­ling­ham Col­lege alum­ni. Fram­ling­ham was the prep acad­e­my that Choy Wai Chuen and Bryan Pear­son both went to.

Anoth­er eye-open­ing zig in the amaz­ing zig-zag jour­ney I’ve had since find­ing KUKAN.

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January 2011 — Work on the Fundraising Trailer Begins

Ron Darby on set

Ron Dar­by sets up for an interview

Cam­era­man Ron Dar­by and Pro­duc­er Robin Lung begin film­ing inter­views and b‑roll in Hawaii for the Find­ing KUKAN fundrais­ing trailer.

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February 2010 — Hawaii Community Television Signs on as Fiscal Sponsor

Hawaii Com­mu­ni­ty Tele­vi­sion, a 501(c)(3) non-prof­it com­pa­ny signs on as the fis­cal spon­sor for Find­ing KUKAN. This is an impor­tant step as now all con­tri­bu­tions to the film made through HCTV are tax deductible up to the full extend of the law. HCTV has sup­port­ed film in Hawaii for decades and has spon­sored many award-win­ning films such as Pic­ture Bride, Fish­bowl, Heart of the Sea, and Pat­sy Mink: Ahead of the Major­i­ty.

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